Pure Print
Classical Printmaking in Contemporary Art

28 to 29 October

Luce Delhove: Trame – collage tessile e stampa a secco


The workshop intends to be a support to the conference. Binds a particular propensity for experimentation with technical processes, combined with the use of textures of fabrics or upholstery. Particular attention is given to the choice of materials to achieve the array, all must be inherent to textiles but with a choice of diverse and different natures. Attention will also be paid to the three-dimensional nature of the work, both with embossing techniques, and use of volumes through folds and plastic tensions.
Importance will be given to the use of the colors associated with the project.


Wheels, engraving, drypoint, and even an electric drill are the instruments chosen to materialize on the slab emotional tensions, intertwining or  leave out the sense of a weighted yet powerful gestures, declined rather in the direction of the complex fabric of signs.

We’ll see mostly graphic works carried out by different techniques, such as etchings, pastels and more recent acrylics on vaseline, cards imprinted but also sculptures belonging to ‘last decade of the artist, when Delhove has focused its attention to the search of the light values ​​of the surface, on the purity of the sign and the line quality.


day 1

Demonstration and preparation of the matrix (2 hours)

Choice of material, assembly and gluing


day 2

Inking and printing (4 hours)

Preparation of color, masks and inking relief


 Trame – collage tessile e stampa a secco

Luce Delhove

28 – 29 October 

Schedule: 28/10 – 17:00 to 19:00

29/10 17/09 – 16:00 to 20:00

Vacancies: 12

Room: Technology Pavilion – 205 and 303 (second session)



carta impresaa 2010